Showing posts with label 1980s graffiti. Show all posts
Showing posts with label 1980s graffiti. Show all posts

Wednesday, 18 July 2012

Graffiti Writers Arrested Across London Ahead of Olympic Games




The Olympic clean up has seen numerous so called potential troublemakers (deemed anarchists in the press) banned from within a 5 mile radius of the Olympic Park and other buildings commandeered by the Olympics. We're quite sure some of the said individuals have the capacity for civil unrest although the majority of the said defendants are nothing more than vocal.

Flash Forward to events reported online today via The London Vandal blog and we hear over thirty old skool graffiti writers were arrested on the same day in raids across the region. While some of them were reportedly completely retired from painting surfaces the vast majority of them only do legally commissioned work for respected companies.

The London Vandal blog goes on to say the writers were given harsh bail conditions banning them from using London Transport or going within one mile of any building used for Olympic purposes. Telephones, computers and photo albums were said to be also taken by police as evidence.

We're waiting to hear more reports…

Read the full story @ London Vandal




Monday, 16 January 2012

Niels Shoe Meulman (NSM) - Calligraffiti Upside Down Tour 2012





Niels Shoe Meulman (NSM) is a Dutch artist, born, raised and based in Amsterdam, The Netherlands. As Shoe, NSM earned his stripes in the global graffiti scene in the 80’s through his pioneering style, adding a distinct European approach to the discipline. In the 90’s NSM trained with Dutch graphic design guru Anthon Beeke, ran the award-winning design studio Caulfield & Tensing, worked as an art director for the BBDO Group and as creative director for MTV Europe. In 2007 NSM made the decision to focus on his art again. Publisher FHTF, Berlin, published Calligraffiti, the Graphic Art of Niels Shoe Meulman, which presents his own unique style of writing that combines masterful calligraphy skills with the speed and attitude of graffiti. Ever since, NSM has been travelling to spread the magic of his Calligraffiti around the globe. His recent painting style can be described as Abstract Expressionism with a Calligraphic origin. 

The Calligraffiti Upside Down Tour includes exhibitions, book signings, live mural painting and lectures in Sydney, Melbourne, Auckland and Singapore. Rather than ship artwork from abroad, NSM will make site-specific art in each city. At all exhibitions and other events, the artist will be available for interviews, and on hand to sign his book Calligraffiti with personalized dedications.

The Upside Down Tour kicks off in Sydney, where Likeminded Studio is hosting an exhibition from 25 to 30 January at the artist run Kind of --- Gallery on Oxford Street. In addition, the legendary Kinokuniya Bookstore will host an exhibition in their Wedge Gallery from 25 January until February 7, 2012. Sydney will see some live calligraffiti going up in the May’s Lane Street Art Project on 27 January.

 
Tour Dates

Sydney

January 25 - 30 Exhibit @ Kind of Gallery
January 25 – Feb 7 Exhibit @ Wedge Gallery
January 27 Live Calligraffti May's Lane

Melbourne

February 2 -12 Solo Exhibit @ RTIST Gallery
February 2 Crown Jewels Film Screening @ Rooftop Cinema

Auckland, New Zealand

February 8 Lecture @ AUT / DINZ
February 9 – March 1 Exhibit @ Saatchi & Saatchi

Singapore

February 16 – March 1 Exhibit @ Dominic Khoo’s FĂ©vrier
February 17/18 Singapore Streets Live Calligraffiti with water

 



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Saturday, 17 December 2011

LSD Magazine Interviews The Legend 'Goldie'

It’s impossible to walk into a room with Goldie and not instantly be slammed up against the walls by the sheer intensity radiating off him. Forget his media portrayals, forget what you think you know about him, he is a deeply complex, highly intelligent firestorm of taut volatility oscillating furiously between genius and lunacy, creativity and destruction, karmic peace and frenetic chaos - a seething mass of edgy contradictions where spectacularly vivid lucidity hurtles through the particle accelerator at Einstein bending speeds and shoots out into mercurial redemption. But one overriding, overwhelming light shines scorchingly through - he is 1000% - 24 carat - fucking proper. The realest deal...





So – to crack straight in then – how do you perceive the relationship between alchemy and creativity

Oh fuck – don’t start me off……. It took me a long time to work out that I was an alchemist – and not being funny but I was sweating my arse off in a Bikram (yoga) studio this morning thinking about the same question. It’s something that plays through my mind every single day. Alchemy stems from two core elements – the creative and the conscious – and consciousness is really the underlying foundation of that dualism. It can take a lifetime to work out who the fuck we are – with only the constant presence of the ego making us believe we might be something other than who or what we fundamentally are, but by pushing through those surface levels of ego driven consciousness, you start to seriously fuck with the dark arts – and that can be a dangerous game as well as a profoundly enlightening one. Now when I say the dark arts - I’m not talking about sitting round some poxy Ouija board – but dealing with transformations on shadowy, subconscious levels that you’re entering into almost blind – with intuition and the hidden aspects of yourself feeling their way through rather than the standard, self- control based, daily realities of the ego side of consciousness. And that can be dangerous, because you’re never quite sure where the fuck it will lead or what it will uncover. I’m an artist who didn’t know he was an artist for a massive chunk of my life - I fell into music almost accidentally and within the spheres of audio and visual, I’ve probably experienced everything that I’d ever want to experience, and then broadened those ranges into the physical…



How does that stand up as a metaphor for your life 

My life has always worked backwards. It’s like I’ve been walking backwards – and that’s not just a directional thing – it’s actually walking backwards – tripping up all over the gaff - making it difficult for myself both as an artist and as a person rather than just taking the simple, obvious route. Drugs – rock n roll – you name it – there’s always been gaping pitfalls created along the ride – by my own hand. But there’s a process in that…. If I’d just gone and done Madonna’s album or worked with Puffy or whatever – gone to LA and taken all those ‘obvious’ opportunities I was offered, I’d either have been found dead with a needle in my arm, done a Phil Spectre , running round with a 9mm trying to shoot someone or ended up on my hands and knees searching for gear in the back garden at 5 in the morning cos I’m off me tits. All of which was always a milimetre awaythat much is obvious. But then as he said – there’s a process in that – those darting liquid patterns of molten chrome that ebbed and flowed through every conceivable angle - where the alchemist’s hammer can only hope to impose form on chaos – not order – cos who the fuck wants anything quite so dull as order –no, definitely form. The balance that keeps unity synched if not structured.


 I had to have a certain amount of resistance – trust in a certain spirit that’s had to hold me back from riding extremes into apocalypse. I’ve had to be muted , and muting for me was about going out and getting completely out of my nut – and that was a very dangerous liason. If I look at all the Bikram I’ve been doing in the last 18 months, I know it sounds weird, but I feel like I’m now balancing into a natural drug with the yoga where that muting is organic and the insights are slower but infinitely more powerful. Makes total and utter sense – drugs of their different stripes- the outright sledgehammer hedonist rush to the psychedelic journey are modern culture’s short cut to elevated or numbed reality – invaluable bursts of experience intrinsically cursed by their own short termism – as if the effort they absolve you of making ultimately fucks you until you realize that those benefits are only sustainable naturally and with an awful lot of hard work put in. But back to the backwards rewind…..


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